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Where Television’s Advertising Money Actually Went

Meghana2 min read
Halftone collage of a television set repeated at diminishing sizes along a diagonal band, for where TV money went

The standard account is simple: television money went to digital. It is roughly true and it hides almost everything interesting about how it happened.

Indian television did not follow the American pattern of steep decline. Reach held up longer, cricket held the top end together, and the money that left did not all leave for the same reason or go to the same place.

The first money to leave was never brand money

Direct response went first, and it went because it could be measured. Categories advertising to generate an immediate action moved to platforms that could attribute it, and they were never going to come back.

That was a smaller share of television revenue than the coverage suggested, but it was the most price-sensitive share, and losing it changed television's negotiating position more than its total.

What television kept, and why

Simultaneity. Television is still the only medium in India that can put the same message in front of a very large number of people at the same moment, and for a small set of advertisers that is worth paying for.

Live sport is the clearest case, and it is why cricket rights inflated even as general entertainment weakened. The scarce asset was never television; it was everybody watching at once.

Television did not sell reach. It sold simultaneity, and that turned out to be the part nothing else can replicate.

The part the tidy story misses

Some money moved to connected television and is still counted as digital, though the viewing is on the same screen in the same room. The distinction between television and digital increasingly describes how inventory is bought rather than what anyone is watching.

Meanwhile a portion of what left went not to digital but to trade spend, discounting and retailer margin, which is where a lot of Indian FMCG budget quietly ended up and which almost nobody counts as advertising at all.

What this means going forward

The useful frame is not television versus digital. It is scheduled versus on-demand, and the money is following whichever one delivers the specific thing an advertiser needs.

Which suggests the medium is not dying so much as narrowing into what it is uniquely good at, at a price that reflects the scarcity. That is a smaller business and not obviously a worse one.

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